Visage can also be regarded as a transformation of real examples of vocal behaviour that go from unarticulated sound to syllable, from laughing to weeping and singing, from aphasia to types of inflections derived from specific languages: English and Italian as spoken on the radio, Hebrew, Neapolitan dialect, etc.

It is based on the symbolic and representative charge that is carried by vocal gestures and inflections, with the “shadows of meanings” and the mental associations accompanying them. So it can be played not only in the concert hall but in any place where recorded sounds can be reproduced.

'Visage is essentially a radio programme: almost a sound track for a play that has never been written.

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